DC Universe Animated Movies is doing a series of interviews with voice actors in Green Lantern: First Flight. The DVD is available July 28th for Blu-Ray and DVD.

Juliet Landau has appeared on Buffy and Angel previously and now plays Labella, a mistress on the darker side of things in the Green Lantern Corps.

QUESTION:
Tell us about Labella?

JULIET LANDAU:
There was a lot of room for invention in this character, especially with the device they use with her. I don’t want to give it away, but she does go through a bit of torture and it causes a rift between Sinestro and Hal. I really liked the sexuality and the flirtatiousness of the character. She’s very different from any of the characters I’ve voiced on Justice League Unlimited or Ben 10: Alien Force – she’s a completely unique character.

QUESTION:
What is the enticement of voiceover for animation?

JULIET LANDAU:
It is so much fun! You get to sit with a bunch of actors and play. Really play! There’s no hair and make-up, no primping – just absolute, uninhibited creativity. That’s the real joy of acting. And it doesn’t get any better than working with Bruce Timm and Andrea Romano.

QUESTION:
When did you start comics writing, and what’s the attraction of the written word?

JULIET LANDAU:
My first foray into comics is a two-issue arc about Drusilla for Angel: After the Fall.
I am co-writing with Brian Lynch and enjoying it immensely. The first issue will be out in July, the second in August. I have been working with 3 different artists on some of the imagery and cover art as well. I also wrote a short film called, It’s Raining Cats and Cats, which I will co-direct. Exploring these different facets of creativity has been truly inspiring. As an actor, you’re a component; but when you’re writing and directing, it is your vision of the whole project, which is very appealing. Take Flight has been an amazing experience. Gary Oldman directed a music video shot entirely on Nokia cell phones. Initially he asked me to direct the “Making Of.” But what started out solely as a behind-the-scenes “Making Of,” bloomed into a short documentary film about Gary’s creative process. He loves the movie because it shows him in a light he’s never been seen.

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